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Making Visible (Sichtbar gemacht)

Sissi Makovec

Karasek Nina (Franziska) - Ein Stück des Sphärengebäudes, 1934, Bleistift auf Papier, 16,8 x 27,6 cm

Making Visible (Sichtbar gemacht) is a collaborative project between the University of Arts Linz and the Lentos Art Museum Linz that explores the mechanisms of visibility and invisibility in art history. At its core is the research into women artists whose works have remained largely absent from exhibitions and art historical narratives due to historical and structural inequalities. Through extensive work in archives and museum collections, overlooked artistic positions are brought to light and recontextualized within a broader historical framework. The project understands the art historical canon not as a fixed body of knowledge, but as a narrative that can be critically questioned, revised, and expanded. In doing so, it contributes to a more inclusive and equitable understanding of women artists and their artistic legacy.

Acknowledgements
This project was made possible through the support of numerous individuals and institutions. We extend our sincere thanks to Lentos Art Museum Linz, especially Sarah Jonas and Reinhard Haider, as well as Brigitte Reutner-Doneus, Hemma Schmutz, and Jutta Strohmaier for their commitment to and support of the collaboration with the University of Arts Linz. We also gratefully acknowledge Michael Hippacher, Elmar R. Gruber, Anna Lehninger, and the participating archives, libraries, and museums for their generous assistance with research and access to archival materials.

Goldschmidt Hilde - Sitzendes Mädchen, 1967, Monotypie, 60 x 48,5 cm (52 x 41 cm)
Haesele Emmy - Vision vom Tod meines Sohnes 30. 12. 1939, Tusche und Aquarell auf Katasterpapier, 34 x 32 cm
Jurina Isolde - Ohne Titel aus der Serie "Märchenbilder", 1947, Aquarell auf Papier auf braunem Karton, 44 x 31 cm
Maly Ida - Frauenkopf aus der Mappe "Feldhof" (1) 18. November 1930, Bleistift und Aquarell auf Papier, 24,1 x 16 cm
Schidlo Johanna - Illustration aus "Stimmen der Gegenwart", 1951, Feder in Tusche auf Papier, 30,1 x 28,7 cm
Trautner Elfriede - Das Mal, 1970, Kaltnadelradierung auf Büttenpapier, 28,5 x 44,4 cm (24,8 x 32,5 cm)
Koller Silvia - Clown, Öl auf Karton , 45 x 42 cm
Dicker-Brandeis Friedl - Hedy Benedict, 1918, Graphit und Gouache auf Papier, 26 x 22,2 cm
Waehner Trude - Die Zukunft dieser Jugend, 1932, Tusche auf Papier, 30,30 x 43,10 cm

Alle Reprofotografien © Lentos Kunstmuseum Linz / Reinhard Haider

cooperation project with Lentos art museum
Art and Visual Practice