Talking Film. Writing Skills and Film Aesthetics in the Work of Thea von Harbou

Aufsatz von Karin Bruns

erschienen in

Practicing Modernity
Female Creativity in the Weimarer Republik
Christiane Schönfeld (Autor)

KurzbeschreibungVorwort – I. Sharp: Women and Weimar Berlin – C. Ujma: Theories of Masculinity and the Avant-Garde – T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity – A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture – D. Rowe: Painting herself. Lotte Laserstein between subject and object – U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar’s Discourse on Art – C. Finnan: Photographers between Challenge and Conformity. Yva’s Career and Œuvre – K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics – J. Trimborn: Leni Riefenstahl’s Career before Hitler: Success-stories of an Outsider – C. Schönfeld: Lotte Reiniger and the Art of Animation – A. Lareau: The Blonde Lady Sings. Women in Weimar Cabaret – I. C. Gil: ‘Jede Frau ist eine Tänzerin...’ The Gender of Dance in Weimar Culture – B. Maier-Katkin: Anna Seghers, Irmgard Keun. A Discourse on Emancipation and Social Circumstance – C. Ujma: Gabriele Tergit and Berlin: Women, City and Modernity – C. Finnan: Marieluise Fleißer’s Self-Reflections on the Female Writer – J. Redmann: Else Lasker-Schüler versus the Weimar Publishing Industry. Genius, Gender, Politics, and the Literary Market – J. Warren: Contrasted Heroines in Two Plays by Ilse Langner. A Dramatist at ‘Weimar’s End’ – L. Soares: Vicky Baum and Gina Kaus: Vienna, Berlin, Hollywood

Buch: 353 Seiten, broschiert
Erschienen: 2006
Sprache: Englisch
Verlag: Königshausen & Neumann
ISBN-10: 3826032411
ISBN-13: 9783826032417